Follows the fate of Lyle, a violent adolescent who, in lieu of prison, is placed in a juvenile mental institution, where he encounters a group of equally troubled teens. This motley crew—abused, sexually confused, violent, and yet hanging on by their grit and anger—becomes Lyle's last lifeline as he fights to find meaning in a world that seems to defy understanding.

An Ivy-­league bound, overachieving teen is derailed after a manic episode lands her in a school for kids with mental illness.

A young man, who recently lost his father, helps a friend find a Halloween costume...with dire consequences.

An unsuccessful playwright faces trials and tribulations as he seeks to find himself in New York City.

A female comedian bombs on a TV show and hooks up with a guy being chased by crazy NYC gangsters.

Based on Elizabeth Swados’ picture book of the same name, this animated short film charts one woman's struggle with depression.

An avant-garde figure in filmmaking, David Lynch introduced mainstream audiences to art-house films. 　　Now the Oscar-nominated director of Mulholland Drive teaches his cross-disciplinary creative process. 　　Learn how he catches ideas, translates them into a narrative, and moves beyond formulaic storytelling. Embrace the art life in David’s MasterClass and learn to test the boundaries of your own artistic expression in any medium.

An avant-garde figure in filmmaking, David Lynch introduced mainstream audiences to art-house films. 　　Now the Oscar-nominated director of Mulholland Drive teaches his cross-disciplinary creative process. 　　Learn how he catches ideas, translates them into a narrative, and moves beyond formulaic storytelling. Embrace the art life in David’s MasterClass and learn to test the boundaries of your own artistic expression in any medium.

A 7-part series telling dramatic and diverse stories of struggle and survival during the worst economic crisis in U.S. history. From the producers of Eyes on the Prize, this series was met with critical acclaim and won both an Emmy Award for writing and a duPont-Columbia Award.

“Intended as a longer film, this proved sufficient to vignette the nuances of my sadness.” (Anne Charlotte Robertson)